Zip, RAR, 7-Zip, or Crate?

General-purpose zippers were built for documents and code. They see your session as a wall of random bytes — so they barely shrink it. Crate was built for one job: moving audio sessions. It understands stems, and it proves every byte arrived perfectly.

Try it yourself: take a finished multitrack session, zip it, then pack it with Crate. The zip is usually within a few percent of the original size. Audio — especially 24-bit WAV stems — is already high-entropy to a byte-level compressor, so there's almost nothing for it to squeeze.

Crate doesn't compress bytes. It decodes the audio, re-encodes it losslessly (FLAC for integer, WavPack for float), deduplicates repeated takes and bounces across files, and rebuilds an exact twin on the other end — checked sample-for-sample with SHA-256.

Side by side

 ZipRAR7-ZipCrate
Understands audioYes
Typical size of a multitrack session~98%~90%~92%~15–30%
Proves the copy is bit-perfectSHA-256
Deduplicates takes across filespartialYes
Split into upload-sized volumesYesYesYes
Recovery data for flaky transfersYesYes
Free for the recipient to openYesYesYesYes
Files ever leave your machinenononono

Percentages are share of the original session size — lower is smaller. RAR/7-Zip figures are typical for 24-bit WAV multitrack sessions; your mileage varies with content.

The benchmark

We ran Crate against a corpus of real sessions — stems, full Pro Tools and Logic projects, and stereo masters — and compared every output to the same files zipped, bit-for-bit verified on restore.

100%
files restored bit-perfect (4,537 / 4,537)
25–76%
smaller than the same files zipped
~81%
median reduction off the original
On every multitrack session we tested, Crate beat RAR — often by a wide margin. On a lone stereo master (already near the codec's floor) it's roughly a tie. The more tracks in your session, the more Crate pulls ahead.

Why the gap exists

A zipper looks for repeated byte patterns. A 24-bit WAV has almost none — the low bits are effectively noise to it. Crate instead does what an audio engineer would: it reads the actual waveform, stores it in a lossless audio codec, notices when two tracks are the same take (on by default) and — on the Smallest preset — when a bus is the sum of its stems, keeping only what's unique. Then it reassembles a byte-identical copy and proves it.

That's also why Crate can be honest about being lossless: “lossless” isn't a promise on the box, it's a SHA-256 check on every file, every time.

When a zipper is fine

If you're sending a couple of MP3s, a PDF, or a folder of code, reach for zip — it's everywhere and the savings wouldn't matter. Crate earns its place the moment you're moving a real session: many tracks, big WAVs, a slow or expensive connection, and a deadline that can't survive a corrupted upload.

Free to download and to receive. $25 once to pack — no account, ever.