This page is available in English only — go to the Crate site in your language:

Crate

The Manifest

Notes on lossless audio, the cost of data, and getting sessions across the connection you actually have.

Jon Rezin, mix and mastering engineer and the founder of Crate, seated in a booth by a street-facing window, arms folded, wearing glasses and a patterned scarf.

Founder/

Why I Built Crate

I have spent twenty years mixing records for a living, and the hardest part of the job was never the mixing. It was getting the session across the connection I actually had. So I built the tool I wanted.

Read →
Infographic: built for the internet the internet forgot, a glowing road case with connections spanning a world map.

Crate/

Built for the Internet the Internet Forgot

Two kinds of people kept hitting the same wall. One pays too much for data. One is stuck on a connection that will not hold. I built Crate for both.

Read →
Infographic: compression wasnt the problem, audio was, with a glowing road case and the features that make Crate built for music.

Lossless Audio/

Compression Wasn't the Problem. Audio Was.

Zip has been around for thirty years and barely dents a session folder. The problem was never compression. It was that nothing was built for how we actually make music.

Read →
Infographic: size matters so we make yours smaller, a glowing Crate road case with bit-for-bit verified, 59 to 89 percent smaller, DAW relinks, secure and reliable.

Lossless Audio/

Size Matters, So I Make Yours Smaller

A 68 gigabyte session becomes 18 gigabytes. Every file bit for bit verified. Not just smaller, exactly the same. Here is why that one number changes the job.

Read →
Infographic: the nomadic audio engineer working on a laptop at an airport, with the challenges of sending sessions on the road.

Remote Collaboration/

The Nomadic Audio Engineer

Big sessions, bad Wi-Fi, deadlines that will not wait. When you mix on the move, sending the work is often the hardest part of the job.

Read →
Infographic: the true cost of data, showing how price, devices, coverage, and location limit connectivity for billions.

Data Costs/

The True Cost of Data

For billions of people, getting online is still shaped by price, devices, coverage, and where they live. The bill is only part of it.

Read →
Infographic: when data costs too much, music moves too slowly. An audio engineer working late on a laptop with a phone hotspot showing two bars.

Data Costs/

When Data Costs Too Much, Music Moves Too Slowly

For a lot of us, the hardest part of finishing a session is not the mix. It is the upload. Here is why, with the numbers, and what I built to help.

Read →
Infographic: ZIP vs RAR vs Crate for audio, comparing generic archives against an audio native workflow.

ZIP/

ZIP vs RAR vs Crate for Audio: What I Use When a Session Actually Matters

ZIP sees files. Crate sees sessions. I compare ZIP, RAR, and Crate honestly for sending audio, and explain why a purpose built tool wins when the handoff actually matters.

Read →
Infographic: the true cost of sending large audio sessions is not just time, covering data costs, weak internet, and failed uploads.

Data Costs/

The True Cost of Sending Large Audio Sessions Isn't Just Time

Sending a large session costs more than time. It costs missed deadlines, extra data, lower margins, and unequal access to work. Here is the real bill, and why I built Crate to lower it.

Read →
Infographic: how to send a Pro Tools session to a mixing engineer, a clean step by step delivery workflow with Crate.

Pro Tools/

How I Send a Pro Tools Session to a Mixing Engineer Without Missing Files or Wasting Space

Send me the session is one of the most dangerous simple sentences in audio. Here is my exact ten step workflow for sending a Pro Tools session to a mixing engineer, clean, consolidated, compacted, and verified.

Read →

This page is available in English only — go to the Crate site in your language: